Artist Sketch Rambles

Artist Sketch RamblesI keep a folder of 8×10 and smaller incomplete sketches and carry it around with me. Many times they spark something and I will often paint over them. Over and over.

When I am feeling ambitious, I organize them according to category:  women, women and the beach, women at a wine bar, women on cave walls, women in cave walls playing musical instruments. You get the picture.

I also print out photos of my paintings in progress. Sometimes I realize (too late) the best work should have been left alone.

Rethinking and painting over a work is something I do when I am second guessing what others might think. This is always wrong.

Yet many times, even I, at late middle age (I am an optimist),  paint with someone looking over my shoulder  – metaphorically speaking.   Like my husband suggesting, “It needs more red.” Or perhaps a friend commenting, “What’s that curvy line all about?”  But I’m just considering what they may remark.

Then I look at art painted by others that works for me.  I know I could critique the heck out them, but my corrections would only make the spark disappear.

The answer is to paint until I feel that any more intellectual effort will deaden it and then stop.  Then check back a few days later and any real problems will shout at me. But if I still like the painting, I will leave it alone. Art (unless you were hired to do something specifically) is for you and not the world.

Once in a blue moon, I haul out some art books to try to understand color better.  You know.  Fill in the blanks of info I never learned. because I did not go to art school.

Primaries,

tertiary,

split tertiary,

squared infinity (just joking) and it all looks so mathematical.

I look at the paintings shown as examples and frankly most are so boring. Maybe I am just too critical, but it seems to me once you have painted for years, you should have some intuitive feeling about what clicks for you.

One story sticks with me…

The widow of a famous painter (whose colors were incredible) was asked what color theory he used. She responded that he did not have one.  He just kept painting until it felt right. Bingo!

So after several hours of painting color sketches using the books’ suggested pigment combinations I put it all away. They sucked.

No real lesson here.  Just a nudge to fellow artists who struggle with color to just persist.

(Love that -just persist- SHE PERSISTED – might make me a t-shirt)

An Artist Sharing About Life, Part 1

Artist sharing about life at SWCCA few weekends ago,  I gave a talk at Southwest Virginia Community College just before taking down my art display. You think college, you think college students, but there were alas only two that Sunday afternoon. But who could blame them.  It was a gorgeous spring day in the Virginia mountains.

I was going to lead with a brief … what can a wrinkled old artist from Newport News teach you about the art you will be creating in the future …  then taking back the word “wrinkled” in lieu of texture which is much more artistically valued. Everyone in my audience was wrinkled.  Instead I was forced to finesse that opening a bit. 

I almost broke out in a sweat.

I was thinking back to a  time when I was doing my art without an iPhone camera for photos and no scanners for the art to be published.  It was a time you were required to actually draw.  There was no social media and Google to expand your files of ideas and reference material.   I am not sure any current college-age student would even begin to appreciate the difficulties in reproducing art (which is what I did for 12 years as a newspaper illustrator). Wait.  I am getting ahead of myself.

I was a commuter to college. 

Campus was two buses each way. Since my immigrant parents did not think continuing education was a good thing for a girl who should get a job, bring home her paycheck and live at home, I managed to pay for college through scholarships.  In my scholarship application, I wrote about being a first generation American and my life.  Guess I pulled enough sympathy from those who did the selecting that I got my education taken care of.  I  also worked after classes to have pin money.

I majored in Psychology. 

I was naive.  I loved the course selection, but did not realize you can do nothing without obtaining a graduate degree.  I got a job at Electric Boat in New London, Connecticut.  I spent my time there organizing the library for the Human Factors section.  It was books and papers.

About the jumper off the sixth floor?

I met a submarine doctor.  We got married, and moved to Houston.  There I worked at a charity hospital as a psychiatric social worker.  Once again, I had no experience.   I screened patients who had mental issues. 

Lock your door there’s a guy with knife.
Did you hear about the jumper from the 6th floor?
Good news is he did not land on the folks waiting for the bus.
Very interesting place.

I also schlepped patients from the ER to the mental institution. 

How do I know he is mentally ill?
Talk to him for 5 minutes. 
He’s probably just an alcoholic (think not really dangerous).

Me, a 28 year old mom, with complete strangers in the backseat of our Chevy Malibu.  Me, signing my name, affirming they needed to be committed. I almost breakout just thinking about it.

Then we moved to Duke and then to Virginia. 

By now I’ve had 2 babies.

Everyone at that time was a stay at home mom, but I enrolled in William and Mary College for a Master’s Degree in Guidance and Counseling.  It took 4 years.

The Feminist movement just beginning. I was active. I got fired from an internship at a local high school for encouraging girls to ask for a shop class. The girls came to me. But the principal and the department heads were very threatened.

All in all, my hard-earned degree did not matter since I took a part-time job as an illustrator for daily paper.  Actually, it was more like the morning and evening paper with full-time work for part-time pay.  But I loved it.  Every story for the newsroom was a challenge. 

Stay tuned for more in Part 2 next week.

Wildlife Painting Sale at Virginia Living Museum

VLM Featured Artist ShowAs Artist in Resident at the Virginia Living Museum, I’ve had the opportunity to interact, teach, and share with many families.  From my time there, I’ve also painted a number of delightful wildlife paintings based on the animals active in the museum.  If you’d loved some of these 8 x 10 and 11 x 14 painting, now is the time to grab your favorite before it is gone.  You can purchase any of my paintings  that you find at the Virginia Living Museum for 50% for a short time only.  Come by the Virginia Living Museum for my Wildlife Painting Sale today.

Adding new paintings for the Wildlife Painting Sale

Virginia Living Museum Wildlife Painting Sale

 

 

Artist Spotlight from Murphy Montgomery Fine Art Gallery

I was delighted to participate in this Artist Spotlight by the Murphy Montgomery Fine Art Gallery in Port Warwick, Newport News, Virginia.  They shared the following in their recent email newsletter:

Artist Spotlight
Gloria Coker

Gloria Coker Painting at the Virginia Living Museum, Newport News, Virginia

Many people ask how I paint my subjects –where do I get reference material etc. Although it would be far easier to have a photo to copy most of my work evolves from bits and pieces pulled together from a vast “morgue” of reference material that I have accumulated over the years. The majority of the photography is my own. Some music pieces are based on musicians of the past and are obviously culled from photos that have appeared in the media. But I am not a slave to any photos, and my work in its final versions bears very little resemblance to the material I use. I have the ability to draw well and fast-I honed those skills when I worked for 12 years as a newspaper artist illustrator ….

Read more about Gloria by visiting our website
and visit the gallery to see her latest paintings!

China Town Painting

“China Town” on display at Murphy Montgomery Fine Art Gallery

 

All that Jazz Band

“All That Jazz Band” on Display at the Murphy Montgomery Fine Art Gallery

 

Jersey Boys

“Jersey Boys” on Display at Murphy Montgomery Fine Art Gallery

 

Visit Murphy Montgomery Fine Art Gallery
4151 William Styron Square, Newport News, VA 23606
www.murphymontgomery.com • info@murphymontgomery.com
757-771-0838
Hours: Wednesday & Thursday 11:00 – 5:00PM
Friday & Saturday 11:00 – 6:00PM
Sunday Noon – 5:00PM